Vol. 3, No. 2: Spring 2023
What We Leave Behind
Our time will leave an awful lot behind — not all of it good, nor all of it bad. How will the people living in the deindustrial age deal with it? Will they venerate it? preserve it? destroy it? repurpose it? A little of each is on display in the cheeky and sympathetic stories in this issue. A cathedral and a cinema both house people honoring relics of the past in unexpected ways. An armed rebellion in the hill country confuses its opponent’s AI with unorthodox tactics. Caretakers of both classic cars and a classic opera house reckon with their past and wonder about their future. A secret vault proves to contain an unusual and precious treasure. A scholar’s mysterious black liquid raises a dark specter from history. And a strange item spotted in a garbage can will draw a group of teenagers into the mystery of what it is, where it came from, and who the hermit out in the desert really is. Plus letters, speculations on future music, and poetry out of the distant past — a full and thought-provoking New Maps.
Contents
Introduction | iv | |
Letters | 1 | |
Essays & Reviews | ||
Cheap Thrills: Deindustrial Music for Deindustrial People |
Justin Patrick Moore |
7 |
Þe Ruin | Wesley Stine | 16 |
Stories | ||
In the Pursuit of Happiness | Ben Coppin | 21 |
Welcome to the Scriptorium | Brian M. Milton | 30 |
What’s on Second | G. Kay Bishop | 33 |
The Dream of Florian Neame | Daniel Stride | 42 |
The Barber of Manaus | Gustavo Bondoni | 49 |
Cruise Night | Harry Slater | 52 |
A Good Book Has No Ending | Madeleine D’Este | 57 |
Cactus Jack | Wesley Stine | 63 |